OUR SELECTION
A selection of films and series currently available to stream
In MORPHIC bipolar disorder pushes Barbara — its writer and producer — into a hallucinatory dream world born from her excesses in Berlin, a world that gradually breaks into abstraction. The film expands the themes of her book Autobiographical, available on Amazon.
Produced by Barbara Brogi / Signora Penelope Studios / AI Studios TV. Runtime 87 min - 2025
REAL BITCH
Experimental Reality Show
Real Bitch is an experimental reality show that blurs performance, autobiography, and observation.
Each episode unfolds in real time, exploring presence, intimacy, repetition, and self-construction without narration or mediation.
The series rejects traditional reality-TV formats and instead treats reality as raw material: lived time, the body, domestic space, and emotional exposure become the structure of the work.
That Old Lady is an experimental character study built from self-performed fragments, VHS textures, improvised monologues, and handmade props. The film follows a bizarre, unpredictable woman who slips in and out of personas: grandmother, trickster, performer, philosopher, and sometimes something not entirely human. Wearing a cotton wig and shifting faces, she delivers absurd confessions, strange wisdom, and surreal humor while interacting with objects, stop-motion inserts, and the ghosts of her own imagination.
The film bends autobiography into fiction, using lo-fi aesthetics, glitches, and home-video intimacy to explore identity, aging, loneliness, and play. That Old Lady becomes a distorted mirror—funny, unsettling, and strangely touching—where the character is both a mask and a self-portrait.
Produced by Barbara Brogi / Signora Penelope Studios / AI Studios TV. Runtime 100 min - 2025
Beasties & Besties is a 88-minute trance-like experimental feature by Barbara Brogi, populated entirely by characters born from her neon, surreal, abstract paintings. These “beasties” and “besties” migrate from canvas to digital film, inhabiting a looping universe where the same visual fragments repeat again and again—yet never remain the same.
Through radical variations in colour, movement, rhythm, distortion, and tempo, each cycle reshapes the emotional meaning of the material. Environmental field recordings and raw underground sound textures transform the footage from within, bending perception and mood until repetition becomes a portal.
The film unfolds like memory itself: unstable, shifting, unpredictable. The viewer walks through the same moment in countless parallel states of mind—curious, melancholic, chaotic, playful, disoriented, ecstatic.
A visual meditation on perception’s fragility, Beasties & Besties is a hallucinatory, drug-free journey into the mechanisms of seeing.
METAFILM is a cinematic recursion, a film that folds itself into the world that produced it.
Shot with a phone in the intimacy of the artist’s room—among pets, drawings, scattered gestures—it captures reality as something tender, banal, and unguarded. On an iPad in the same space, MORPHIC plays continuously, irradiating the room with its own dream-logic.
Later, the two layers are merged: the quotidian footage and the glowing universe of MORPHIC are woven together through drifting opacities. In this fusion, the film becomes a membrane:
life leaks into cinema, and cinema leaks back into life.
The result is an audiovisual loop where the new film contains the old one, and the old one haunts the new. A self-portrait that dissolves into a simulation. A diary overwritten by a dream. A world watching itself through the thin screen of its own reflection.