METAFILM is a cinematic recursion, a film that folds itself into the world that produced it.
Shot with a phone in the intimacy of the artist’s room—among pets, drawings, scattered gestures—it captures reality as something tender, banal, and unguarded. On an iPad in the same space, MORPHIC plays continuously, irradiating the room with its own dream-logic.

Later, the two layers are merged: the quotidian footage and the glowing universe of MORPHIC are woven together through drifting opacities. In this fusion, the film becomes a membrane:
life leaks into cinema, and cinema leaks back into life.

The result is an audiovisual loop where the new film contains the old one, and the old one haunts the new. A self-portrait that dissolves into a simulation. A diary overwritten by a dream. A world watching itself through the thin screen of its own reflection.